Posts Tagged ‘obnoxious’

can we defend danah boyd while also wondering if there could have been a better response?

file under: just about the hardest blogpost I’ve written to date


I just spent a good few hours catching up on the Web 2.0 Expo / danah boyd debacle. You know the one I’m talking about (and if you don’t, you can read about it here, here, and here).

As a quick reminder, boyd gave a keynote at the event last week and by all accounts failed fairly resoundingly, especially given her renown for fantastic presentation style. According to all in attendance (including boyd herself), she spoke too quickly, read from her notes, and struggled to get her points across. If you weren’t in attendance, a video of her presentation is below.

[youtube=http://www.youtube.com/watch?v=DW3_JhQksv4&color1=0xb1b1b1&color2=0xcfcfcf&hl=en_US&feature=player_embedded&fs=1]

Issues of ethics, good behavior, and bullying aside, I’m most interested in boyd’s response to the event. On her blog, she published a reflection on the event, which alternated between clear-headed analysis of her mistakes and a resentful self-defense.

Now bear with me for a second, because I stand here in absolute defense of boyd against her critics. But I also, because as a young female academic myself I cannot afford not to, want to offer a reflection on boyd’s reflection, which to me felt somewhat overly defensive.

boyd admits that her delivery was fairly bad, but she defends herself with a host of excuses, including the following (all emphases, to highlight points of self-defense, are mine):

Because of the high profile nature of Web2.0 Expo, I decided to write a brand new talk. Personally, I love the challenge and I get bored of giving the same talk over and over and over again. Of course, the stump speech is much more fluid, much more guaranteed. But new talks force folks to think differently and guarantee that I target those who hear me talk often and those who have never seen me talk before.

A week before the conference, I received word from the organizers that I was not going to have my laptop on stage with me. The dirty secret is that I actually read a lot of my talks but the audience doesn’t actually realize this because scanning between my computer and the audience is usually pretty easy. So it doesn’t look like I’m reading. But without a laptop on stage, I have to rely on paper. I pushed back, asked to get my notes on the screen in front of me, but was told that this wasn’t going to be possible. I was told that I was going to have a podium. So I resigned to having a podium. Again, as an academic, I’ve learned to read from podiums without folks fully realizing that I am reading.

When I showed up at the conference, I realized that the setup was different than I imagined. The podium was not angled, meaning that the paper would lie flat, making it harder to read and get away with it. Not good. But I figured that I knew the talk well enough to not sweat it.

I only learned about the Twitter feed shortly before my talk. I didn’t know whether or not it was filtered. I also didn’t get to see the talks by the previous speakers so I didn’t know anything about what was going up on the screen.

When I walked out on stage, I was also in for a new shock: the lights were painfully bright. The only person I could see in the “audience” was James Duncan Davidson who was taking photographs. Otherwise, it was complete white-out. Taken aback by this, my talk started out rough.

Now, normally, I get into a flow with my talks after about 2 minutes. The first two minutes are usually painfully rushed and have no rhythm as I work out my nerves, but then I start to flow. I’ve adjusted to this over the years by giving myself 2 minutes of fluff text to begin with, content that sets the stage but can be ignored. And then once I’m into a talk, I gel with the audience. But this assumes one critical thing: that I can see the audience. I’m used to audiences who are staring at their laptops, but I’m not used to being completely blinded.

All of the above points are undoubtedly true but obscure a crucial point: that even the most stellar academics just sometimes have bad days. This was a bad presentation from a stellar academic, and it should be enough to leave it at that.

The audience should have left it at that, but did not. They treated boyd’s struggle with glee, with an evil, hysterical schadenfreude. So instead of defending herself by explaining how the cards were stacked against her, boyd should have spent her time reviling the spectacularly bad behavior of the keynote audience. This behavior is exemplified through the following tweets, which were broadcast on a screen behind the podium, out of boyd’s range of vision:

This guy, whose profile names him as Doug V, was one of boyd’s most active hecklers. Other chunks of the twitter stream, in which @dugwork was a regular and active participant, included this:

and this:

Then, when the twitter feed was apparently taken off the screen by conference moderators, this:

In her blog reflection, boyd expressed anger and frustration, and rightfully so: this was bullying at its most despicable.

There’s also, as boyd herself points out, a gender dynamic to this kind of bullying. She refers to the hecklers as the tech version of 12-year-old boys with whiteboards. She asks:

what’s with the folks who think it’s cool to objectify speakers and talk about them as sexual objects? The worst part of backchannels for me is being forced to remember that there are always guys out there who simply see me as a fuckable object. Sure, writing crass crap on public whiteboards is funny… if you’re 12. But why why why spend thousands of dollars to publicly objectify women just because you can? This is the part that makes me angry.

I parsed the archived twitter stream, tweet by tweet, and didn’t find anything in there that suggested the audience saw or was trying to treat her as a sex object, though I don’t doubt she felt completely objectified. Let me reiterate: I do not doubt that she experienced this bullying as objectifying, possibly terrifying, definitely absolutely demoralizing. I don’t doubt that I would feel exactly the sa
me way.
In fact, isn’t that the point? It didn’t even take an outright sexual comment for boyd to feel objectified, sexualized, and treated like a “fuckable object.” That’s what the best hecklers can do to even the most capable female speakers. 

And here’s the part where I start to feel incredibly torn, because a huge piece of me wants to leave it at that, to stand up and start swinging at boyd’s bullies. They rose up en masse against her, in a public, cruel, and mean-spirited way. I have deep suspicions, just as boyd does, that gender played a significant role in helping the steam to build: We (us smartypantses in audiences filled with other smartypantses) are more likely to want to undermine women, especially when they dare to speak with authority, especially when they dare to present themselves as confident, competent, and infallible, especially when they dare to also seem in any way vulnerable. Seriously, you guys, stop being such enormous assholes. Stop using your misogyny as an excuse to be cruel. I’m so effing tired of you effers.

I also struggle with boyd’s blogged response to the heckling, because I worry that it plays into the very weaknesses that so many of the hecklers (and techies and academics and so on) suspect smart, confident, brash women harbor. Women are overly emotional. We whine when things don’t go our way. If people don’t play by our rules, we pick up our toys and go home.

Now, I don’t mind being critiqued,” boyd writes;

I think that being a public figure automatically involves that. I’ve developed a pretty thick skin over the years, but there are still things that get to me. And the situation at Web2.0 Expo was one of those. Part of the problem for me is that, as a speaker, I work hard to try to create a conversation with the audience. When it’s not possible or when I do a poor job, it sucks. But it also really sucks to just be the talking head as everyone else is having a conversation literally behind your back. It makes you feel like a marionette. And frankly, if that’s what public speaking is going to be like, I’m out.

So I have a favor to ask… I am going to be giving a bunch of public speaking performances at web conferences in the next couple of months: Supernova and Le Web in December, SXSW in March, WWW in April. I will do my darndest to give new, thought-provoking talks that will leave your brain buzzing. I will try really really hard to speak slowly. But in return, please come with some respect. Please treat me like a person, not an object. Come to talk with me, not about me. I’m ready and willing to listen, but I need you to be as well. And if you don’t want to listen, fine, don’t. But please don’t distract your neighbors with crude remarks. Let’s make public speaking and public listening an art form. Maybe that’s too much to ask for, but really, I need to feel like it’s worth it again.

It’s not fair, it’s not right, and it’s not defensible that female intellectuals are held to a different standard than male intellectuals are. It’s abominable how the audience treated boyd during her keynote. And not having ever been subjected to the kind of public bullying boyd was subjected to, I don’t know how I would react given the same situation: probably with the same rage, resentment, and abject pain that boyd expresses in her post.

But the solution is not to plead to the audience to be nicer next time. The solution is to come out swinging, to come out with both barrels smoking, to storm the audience with righteous indignation, to stand up and say yes, I screwed up, and fuck you all because I’ll be back up here next year (or next month, or next week) and you’ll still be sitting down there in the audience watching me shine. Good luck with your puny little attempt at twitter fame.

boyd and I are approximately the same age, and I look to her as one model of female academic. I believe that those of us who are strong enough to take it (and early evidence suggests that boyd is indeed strong enough) have a responsibility–an ethical duty–to stand in scrappy, defiant, unapologetic opposition to the stupid, ignorant, misogynistic, did I mention ignorant?–ignorant theories about how women should act and how to take them down if they get too presumptuous, too arrogant, too cocky to fit their preconceptions.

Here’s what you say in response: not Can you please be nicer next time? but Fuck you. 

Here’s what you say: Fuck you. I’ll see you next year.

update on bigot Jan Moir

First, I want to show you this fantastic video I snagged from the Online Journalism Blog. If you’re like me, you’re not thrilled about the notion of sitting still and watching a 3 minute video, but I promise it’s worth it.

[youtube=http://www.youtube.com/watch?v=b0Ti-gkJiXc&hl=en&fs=1&]

The video was embedded in a post by Paul Canning called “Jan Moir is a Heterosexist.” If Canning and I were to follow the advice of the video above, we would write things like:

  • Jan Moir’s column was heterosexist (or homophobic, depending on your take).
  • Jan Moir’s column adopts a heteronormative (or homophobic, depending on your take) approach to gay rights.
  • Jan Moir’s argument promotes homophobic (or bigoted, depending on your take) attitudes toward gay rights.

Nope, I’m going with the old “Jan Moir is a bigot” approach. It’s not that I think the advice in the above video is wrong; it’s just that Moir followed up the bigoted assumptions espoused in the column in question with an Official Statement that rejects the notion that the piece espoused bigoted assumptions. Here’s her statement, in full:

Some people, particularly in the gay community, have been upset by my article about the sad death of Boyzone member Stephen Gately. This was never my intention. Stephen, as I pointed out in the article was a charming and sweet man who entertained millions.

However, the point of my column-which, I wonder how many of the people complaining have fully read – was to suggest that, in my honest opinion, his death raises many unanswered questions. That was all. Yes, anyone can die at anytime of anything. However, it seems unlikely to me that what took place in the hours immediately preceding Gately’s death – out all evening at a nightclub, taking illegal substances, bringing a stranger back to the flat, getting intimate with that stranger – did not have a bearing on his death. At the very least, it could have exacerbated an underlying medical condition.

The entire matter of his sudden death seemed to have been handled with undue haste when lessons could have been learned. On this subject, one very important point. When I wrote that ‘he would want to set an example to any impressionable young men who may want to emulate what they might see as his glamorous routine’, I was referring to the drugs and the casual invitation extended to a stranger. Not to the fact of his homosexuality. In writing that ‘it strikes another blow to the happy-ever-after myth of civil partnerships’ I was suggesting that civil partnerships – the introduction of which I am on the record in supporting – have proved just to be as problematic as marriages.

In what is clearly a heavily orchestrated internet campaign I think it is mischievous in the extreme to suggest that my article has homophobic and bigoted undertones.

Mischievous in the extreme? Really? Let’s return to the scene of the crime, where Moir writes:

Gay activists are always calling for tolerance and understanding about same-sex relationships, arguing that they are just the same as heterosexual marriages. Not everyone, they say, is like George Michael.

Of course, in many cases this may be true. Yet the recent death of Kevin McGee, the former husband of Little Britain star Matt Lucas, and now the dubious events of Gately’s last night raise troubling questions about what happened.

It is important that the truth comes out about the exact circumstances of his strange and lonely death.

Ok, so let’s be clear on the association Moir is making here: The only thing that these three men have in common is that all engaged in relationships with men. Michael was arrested for public indecency; McGee, after a long struggle with depression and addiction, committed suicide; and Gately was in an apparently happy relationship with his husband, Andrew Cowles.

And, by the way, it’s not at all clear what the death of McGee has to do with Gately’s death, though for some reason Moir thinks the two events together “raise troubling questions about what happened” on the night that Gately died.

What the hell does the suicide of a young gay celebrity have to do with the death, apparently of natural causes, of another young gay celebrity?

Moir’s column was homophobic; but her defense of the column, when a public mea culpa would have been the appropriate action of someone who–as she herself declares–has in the past publicly supported civil partnerships, takes things one step farther. Her column presents a bigoted argument; and her follow-up self-defense presents her as the bigot she is.

  • Jan Moir is heterosexist (or homophobic, depending on your take).
  • Jan Moir is heteronormative (or homophobic, depending on your take) about gay rights.
  • Jan Moir promotes homophobic (or bigoted, depending on your take) attitudes toward gay rights.

Additionally, her writing skills are fairly abysmal, though I suppose that’s another argument for another day.

bigot update

file under: for the love of god shut the hell up, you homophobe

Last week, Irish pop singer Stephen Gately died at age 33; preliminary reports point to acute pulmonary edema, or a fluid buildup in the lungs. Gately was young and presumably otherwise healthy, so of course it makes sense for us to reach for an explanation of his terribly untimely death.

Daily Mail columnnist Jane Moir has her theories, and every theory she offers assumes something sleazy. “Whatever the cause of death is,” she writes,

it is not, by any yardstick, a natural one. Let us be absolutely clear about this. All that has been established so far is that Stephen Gately was not murdered.

And I think if we are going to be honest, we would have to admit that the circumstances surrounding his death are more than a little sleazy.

What’s the sleaze of this particular story? Well, Gately was seen dancing at a nightclub with his husband several hours before his death, and they left the club with another young man, who was at the apartment at the time of Gately’s death. It also appears that Gately smoked cannabis in his apartment before he died. None of these, just to be clear, are considered to be contributing factors to Gately’s death. Not the presence of the young man, not the marijuana in his system, and not the fact that he was gay.

Moir is clearly one of those ignorant people who are on the prowl for proof of what they assume is true: that gays are sleazy sexual perverts. Every sentence of her column points to exactly this.

Gately was on vacation with his husband of three years, Andrew Cowles, when he died, yet Moir calls his death “lonely.” There was no sign of foul play, no evidence that Cowles or the young man they brought to the apartment played any role in Gately’s death. No evidence that Gately died of a drug overdose. No evidence that he died of AIDS or any other sexually transmitted disease. No evidence, at least so far, of the slightest bit of sleaze. In fact, Gately’s mother insists that her son died from a genetic heart condition. Yet Moir still finds reason to assert that

Another real sadness about Gately’s death is that it strikes another blow to the happy-ever-after myth of civil partnerships.

Gay activists are always calling for tolerance and understanding about same-sex relationships, arguing that they are just the same as heterosexual marriages. Not everyone, they say, is like George Michael.

Of course, in many cases this may be true. Yet the recent death of Kevin McGee, the former husband of Little Britain star Matt Lucas, and now the dubious events of Gately’s last night raise troubling questions about what happened.

I have a couple-three things to say about this:

1. Nobody is arguing that gay couples are any more likely than straight couples to get this partnership thing right. To be crystal clear, there is no happy-ever myth of civil partnerships. There is only the premise that gay couples have the same rights as straight couples to make an honest, legally recognized go at a committed relationship with the person they love.

2. George Michael hasn’t cornered the market on unconventional approaches to sex and relationships. Lots of people of all orientations take an experimental approach to their sexuality. And guess what–when that experimentation takes place between consenting adults, and when all parties involved approach their interactions safely and maturely, it’s none of our damned beeswax what they do. And besides,

3. We’re well past expecting gay couples to prove they’re ‘just like’ straight couples. It’s ignorant and homophobic to presume that for gay couples to “earn” their right to marry they have to prove they’re not as perverted, dirty, and disgusting as some straight people think they are. It is, in short, ignorant and homophobic to assume, despite preliminary evidence to the contrary, that when a gay man dies young the circumstances must be sleazy.

Oh oh oh! and one more thing:

4. If we’re going to use celebrities as spokespeople for a sexual orientation, then I bring you:

  • Roman Polanski (for raping a 13-year-old girl)
  • David Duchovny (for uncontrolled sex addiction)
  • Jude Law (for cheating on his wife with their child’s nanny)
  • Woody Allen (for cheating on his partner, Mia Farrow, with Farrow’s daughter)
  • Charlie Sheen (for multiple documented ‘encounters’ with prostitutes and a failed marriage as a result of addiction to porn)

Of course nobody would take the actions of these celebrities as proof that all straight people are perverts. And there’s no reason to act differently when it comes to gay celebrities.

I’m so goddamned tired of homophobia. I’m tired of people like Jan Moir acting as if hateful, despicable, and cretinous attittues toward homosexuality and gay marriage are perfectly intelligent, thoughtful, and rational. Even if the final reports point to what Moir would consider ‘sleaze,’ the fact that she didn’t need that evidence in the first place tells us exactly what we need to know about her: She’s a bigot, pure and simple, and her vile attitude toward human rights is despicable and, thank god, woefully outdated in an increasingly warm, accepting, and tolerant society.

america is the weirdest country in the world

I got this via the awesome blog Things You Wouldn’t Know If We Didn’t Blog Incessantly (tywkiwdbi for short).

Acceptance of Evolution in Western Countries:

According to the National Geographic story that accompanies the image, only 14 percent of Americans polled believed that evolution is “definitely true,” and Americans are actually three times more likely to be undecided about evolution than they were 20 years ago, up from 7 percent of those polled to 21 percent.

Also, this study indicated that fewer than half of Americans could offer even a minimal, informal definition of “DNA.” Okay, if anyone asks, you tell them this:

DNA is the hereditary material in humans and almost all other organisms.

Breaking: Sony Entertainment CEO Michael Lynton “cannot subscribe to the views of those online critics who insist that I ‘just don’t get it’ “

Subhead: Sony Entertainment CEO Michael Lynton just doesn’t get it.

Michael Lynton wants guardrails for the internet in the name of preserving creativity. At least, that’s what he says he wants. If you read his recent piece in the Huffington Post, you quickly understand that what he really wants is to preserve his company’s ability to profit from the creativity of others.

Lynton went viral after making the following assertion: “I’m a guy who sees nothing good having come from the Internet. Period.” And in the HuffPost piece, he explains that he welcomes the “Sturm und Drang” that resulted from that statement, because it allows him to make the following point:

the major content businesses of the world and the most talented creators of that content — music, newspapers, movies and books — have all been seriously harmed by the Internet.

He’s right, of course. But any attempt to roll back the appropriation, remix, and–sometimes–piracy practices enabled by new media will fail, and one big reason for this is that people like Lynton can’t see that the internet simply cannot be regulated the way we’ve traditionally approached culturally transformative inventions.

Lynton compares the Internet to the national highway system developed under the Eisenhower administration. He explains the comparison thus:

Contrast the expansion of the Internet with what happened a half century ago. In the 1950′s, the Eisenhower Administration undertook one of the most massive infrastructure projects in our nation’s history — the creation of the Interstate Highway System. It completely transformed how we did business, traveled, and conducted our daily lives. But unlike the Internet, the highways were built and operated with a set of rational guidelines. Guard rails went along dangerous sections of the road. Speed and weight limits saved lives and maintenance costs. And officers of the law made sure that these rules were obeyed. As a result, as interstates flourished, so did the economy. According to one study, over the course of its first four decades of existence, the Interstate Highway System was responsible for fully one-quarter of America’s productivity growth.

We can replicate that kind of success with the Internet more easily if we do more to encourage the productivity of the creative engines of our society — the artists, actors, writers, directors, singers and other holders of intellectual property rights — yes, including the movie studios, which help produce and distribute entertainment to billions of people worldwide.

It makes sense for someone like Lynton to compare the internet to a literal highway–he, and many of his ilk, continue to think of the internet as an “information superhighway” that can be maintained and paid for via a simple system of tolls, speed limits, and regulations on what kinds of vehicles will be allowed to operate, and when, and by whom. This is precisely why the information superhighway metaphor has fallen into disuse by the majority of internet users: It simply does not apply to a system that is far more complex, and far less regulated and regulatable, than the metaphor suggests.

Mind-bogglingly, Lynton believes that “without standards of commerce and more action against piracy, the intellectual property of humankind will be subject to infinite exploitation on the Internet.” He wonders:

How many people will be as motivated to write a book or a song, or make a movie if they know it is going to be immediately stolen from them and offered to the world with no compensation whatsoever? And how many people whose work is connected with those creative industries — the carpenters, drivers, food service workers, and thousands of others — will lose their jobs as piracy robs their business of resources?

Seriously? The head of one of the most new media-reliant entertainment companies in the world is so oblivious to the creativity that is enabled by social media that he really, honestly believes that the social practices that are emerging around these technologies are going to destroy humanity’s creative impulse?

On the other hand, this is perhaps an apt approach for the head of a company that makes its bones on defining creativity as “stuff that can make money for whoever owns the rights to it (e.g., Sony Entertainment).”

Lynton would have us believe that he’s in this fight for the good of mankind, that he and others like him are humanitarians along the lines of this cartoon I pirated from the internet:

Alternately, we might view his motives as more closely aligned with this cartoon I pirated from the internet:

Lynton wants us to know that he is not a Luddite, not “an analogue guy living in a digital world.” I am fully convinced of that. I also believe that his impulse to set up internet guardrails is not quite as humanitarian as even he himself might think. He seems to be confusing the notions of “creative impulse” with “the drive to make money off of creativity.” As anybody who’s been paying attention for the last couple of decades knows, in the internet era, these aren’t the same thing. They aren’t even in the same category. If that makes it harder for behemoths like Sony to survive by standing on the shoulders of the creative types it exploits, then so be it.

I wish fake feminists would cut it out.

“You can’t claim to be a feminist simply because you’re a woman.”–Julie Bindel

“There is no such thing as a bad feminist.” –Jess McCabe

Being controversial may not always be fun, but it certainly guarantees that people will pay attention. This is exactly what happened with Double X, the new site launched by Slate earlier this month. Double X describes itself with a slight nod toward feminism without explicitly mentioning the dirty F-word itself:

Double X is a new Web magazine, founded by women but not just for women, that Slate launched in spring 2009. The site spins off from Slate’s XX Factor blog, where we started a conversation among women—about politics, sex, and culture—that both men and women listen in on. Double X takes the Slate and XX Factor sensibility and applies it to sexual politics, fashion, parenting, health, science, sex, friendship, work-life balance, and anything else you might talk about with your friends over coffee. We tackle subjects high and low with an approach that’s unabashedly intellectual but not dry or condescending.

Double X targets its demographic with both barrels smoking, presenting itself in pastels, pinks, and purples and offering stories on motherhood ( “Why are moms such a bummer?”), breast cancer (“Enough with patenting the breast cancer gene”), and first-person, “it-happened-to-me” testimonials (I Wanted to be Blondie. Now I Write for Colbert”).

By now, it may be clear that this is not your mother’s feminism. The site is playful, mouthy, and just a little self-indulgent–normally exactly my cup of tea, except…well, if you were, say, a 30-ish, self-described feminist living an out-of-the-mainstream lifestyle, you might be a little worried.

This is not necessarily about topic choices–it’s about the fights Double X has picked in its opening weeks. As this Guardian article by Amelia Hill and Eva Wiseman points out, Double X galloped out of the gate, chasing down and pummeling the popular site Jezebel. In “How Jezebel is Hurting Women”, Linda Hirshman explains that

[t]he Jezebels are clearly familiar with the rhetoric of feminism: sexism, sexual coercion, cultural misogyny, even the importance of remembering women’s history. But they are also a living demonstration of the chaotic possibilities the movement always contained…. From removing the barriers to women working to striking down the criminal laws against birth control and abortion, feminism was first and foremost a liberation movement. Liberation always included an element of sexual libertinism. It’s one of the few things that made it so appealing to men: easy sexual access to women’s bodies. (And to their stories about sex, which helps explain why 49 percent of Jezebel’s audience is men.)

But unregulated sexual life also exposes women to the strong men around them, and here, the most visible of the Jezebel writers reflect the risks of liberation…. How can women supposedly acting freely and powerfully keep turning up tales of vulnerability—repulsive sexual partners, pregnancy, sexually transmitted diseases, even rape? Conservatives have long argued against feminism by saying women are vulnerable, and we need to take care of them. Liberals say there’s no justification for repressing sexual behavior.

The Guardian article highlights the conflict that has erupted out of this attack (Jezebel, of course, struck back, prompting a response from Double X…there is, so far, no end in sight), pointing to the heart of the issue: A struggle over how to define feminism in 2009.

It’s a struggle that strikes close to my heart, as I see the term, if not the ideals, taken up in disheartening, even terrifying ways by friends and colleagues. Men calling themselves feminists push for “open,” commitment-free relationships, since “that’s what women want.” Women shove their way to the top of corporations at the expense of (male and female) coworkers, and proclaim victory in the name of feminism.

For that matter: Women who call themselves feminists and push for “open,” commitment-free relationships, and men shoving their way to the top of corporations at the expense of (male and female) coworkers.

It’s no wonder so many young women and men are so loath to consider sexism as an ongoing issue: Feminism has been co-opted in vile ways for the purpose of self-advancement. Why would anybody want to associate with a movement whose name is responsible for so much abominable behavior?

Feminism, at its heart, is not about political justification of personal behavior. At its very best, feminism is about setting aside petty personal interests and considering what’s best for an entire culture–and considering the best approaches for making the kinds of changes that will enable this culture to emerge. The Double X-Jezebel debate threatens to obscure this larger point beneath vitriol and, on the part of anti-feminist observers, the most loathsome kind of schadenfreude.

zomg these guys are so racist

I just found out about American Renaissance Magazine, a disgusting neo-conservative platform for justifying loathsomely cretinous attitudes toward race clearinghouse for neo-conservative articles that support white supremacist beliefs. I’m finding it impossible, actually, to describe this site in a way that could be remotely considered unbiased, so I’ll just let it speak for itself:

American Renaissance is a monthly magazine that has been published since 1991. It has been called “a literate, undeceived journal of race, immigration and the decline of civility.”


Well played, American Renaissance. The phrasing of this description completely conceals the fact that the praise you’re quoting comes from the founder of the magazine himself, white supremacist Jared Taylor.

[youtube=http://www.youtube.com/watch?v=zY3Z0XYuSog&hl=en&fs=1]

This site positions itself as a kind of lone voice of reason on race-related issues. A key argument championed by American Renaissance, for example, is about race and IQ:

One of the most destructive myths of modern times is that people of all races have the same average intelligence. It is widely accepted that genes account for much of the difference in intelligence between individuals, but many people still refuse to believe genes explain group differences in average intelligence. This blindness leads to futile attempts to eliminate “learning gaps” between the races and forces whites to accept the view that if blacks and Hispanics are less successful than whites, it is because of white “racism.”

I got through the site’s article on Wikipedia’s leftist bias before I just couldn’t bear it anymore. As the article explains,

Wikipedia’s origins go back to 2000, when Jimmy “Jimbo” Wales, then a pornographer, and Larry Sanger, a doctoral student in philosophy at Ohio State University, founded the online encyclopedia “Nupedia”…. Some critics believe Wikipedia is a personality cult built up around Mr. Wales, but the leftist slant of the encyclopedia does not reflect his own politics. He is said to be an “objectivist,” or admirer of Ayn Rand, who opposed federal help for New Orleans after Katrina and hates gun control. He probably settled for whoever would work for free, and just lets the leftist cabal have its way. Only by dropping editorial standards could Wikipedia get a massive force of volunteer labor.

Actually, all you need to know about this execrable collection of hate-inspired diatribes magazine comes through loud and clear in the article’s outrage at the Wikipedia entry on Brown v. Board of Education:

The 5,900-word article…would have readers believe it was a popular, constitutionally and scientifically grounded decision, and that its few opponents were all practitioners of “scientific racism.” It fails to mention that Kenneth Clark’s social science, which formed the basis of the court’s decision, was fraudulent or that Clark’s testimony was essentially perjury. Needless to say, the article cites no books by conservatives such as Raymond Wolters or Paul Craig Roberts that correct the liberal myth. Nor does the article mention the Harvard Law Review’s (vol. 100:817, 1987) extensive account of Solicitor General Philip Elman’s illegal, back-door collusion with Justice Felix Frankfurter to twist the court toward desegregation.

These guys must be so mad all the time. It must be downright painful to be a white supremacist these days.