And the above video was linked on YouTube to this one starring the Monty Python crew:
Archive for January, 2011
zach galifianakis: the pretentious illiterate
a note on representing ‘the in between’
On Saturday I dressed like this for my ladyfriend’s birthday party:
At the party, I talked with someone who was making a short film for Bloomington’s upcoming Pride Film Festival. She was working with a song that had this line: “She, he, and in between.” And she wanted to use me to help illustrate the ‘in between’ part.
This marked the first time anyone had offered an unprompted observation that I did not appear to fit neatly into either half of the gender binary. It’s been a long road to genderqueer, one that has looked sort of like this:
I finally feel comfortable in my own skin. I’ve finally stopped feeling like a fraud. I’ve finally stopped worrying that someone will announce that I have no right to claim the words “she,” “her,” or “woman.” Now that I’m the in between, I’m more comfortable calling myself a woman than I ever have been ever in my entire life.
There are people who don’t like girls who look like boys or boys who look like girls or anybody who looks like neither or both. That’s cool. As long as they don’t try to tell me it’s not ‘natural’ or ‘normal’ for me to perform the gender that I feel inside, I won’t try to tell them it’s not ‘natural’ to judge people instead of trying to understand.
do it like a dude / affix spikes to our lips
Here is the video for a song called “Do it like a dude,” sung by Jessie J:
In case you scrolled past the video without watching it, I’ll just tell you that it’s an absolute celebration of gay ladies and the sex they have together. Here are some lyrics:
I can do it like a brother
Do it like a dude
Grab my crotch, wear my hat low like youDo it like a brother
Do it like a dude
Grab my crotch, wear my hat low like youWe can do it like the man’dem, man’dem
We can do it like the man’dem, man’dem
Sugar sugar sugar
We can do it like the man’dem, man’dem
We can do it like the man’dem, man’dem
Sugar sugar sugarBoom Boom, pull me a beer
No pretty drinks, I’m a guy out here
Rollin’ rollin’ rollin’ rollin’ money like a pimp
My B I T C H’s on my d*ck like thisDirty dirty dirty dirty dirty dirty sucka
You think I can’t get hurt like you, you motherf….I can do it like a brother
Do it like a dude
Grab my crotch, wear my hat low like you
Some have expressed concern about the message of this video. Over at the woman-slanted queer site Autostraddle, riese tells us that though her first response was “YES THIS YES THIS LIKE IT YES THIS!,” more careful consideration led her to conclude that “despite its genderfucking qualities, many might argue that ‘Do It Like a Dude’ paradoxically uses men/maleness as a golden standard by which to define itself.”
The gay male-targeted blog Manhunt suggests that “Do It Like a Dude” is about, er, penis envy. If that’s so, or if it’s a reasonable interpretation of the song or video, then this is an additional reason to think hard about whether it’s fair for the queerlady community to embrace it.
But I don’t, believe that it’s reasonable to interpret this song or its video as being about penis envy. First, this is a queerladies-only song–no straight men allowed. The video especially makes its hostility and righteous anger clear: The camera becomes the “you,” the “dude” of the song, and Jessie J lunges and menaces at it like this:


The jerkiness of the women’s bodies, the refusal to sexualize or to make palatable their limbs or breasts or lips or attraction to other women, that’s an outright “fuck you” to the male gaze.
There’s one quick juxtaposed shot that Autostraddle finds problematic: The only women in the video who actually kiss look like this:

Riese asks: “why do we have all these hot dykes of color dancing in wifebeaters but the only women who kiss in the video are these two, dropped in mid-frame like out of someone else’s music video?”
I think the reason is simple: the kissing women are a ‘fuck you’ to a male-dominated, heteronormative culture that likes its lesbians girly and wet dream-ready. They seem like they were dropped in from someone else’s music video because they really are absolutely out of place in this spike-lipped, sausage-butchering world. Since the rest of the video is so seamlessly hostile and angry, since there are no other instances of women touching in a heteroerotic way, it seems valid to assume that the clip was inserted, Tyler Durden-style, into the Fight Club world of Jessie J.
This is a smart, sassy video that’s probably only sexy to a subcategory of queerladies and maybe a few queergentlemen. I found it deeply sexy, FYI, and though god knows I like to be critical of stuff I find no solid foundation on which to critique this song or video as heteronormative or a product of penis envy.
As to the language of the lyrics, the “Boom Boom, pull me a beer / No pretty drinks, I’m a guy out here / Rollin’ rollin’ rollin’ rollin’ money like a pimp / My B I T C H’s on my d*ck like this”: It is a misconception and an enormous disservice to genderqueerladies and butches and drag kings to assume that women who perform ‘masculinity’ want to be ‘like men.’ Even when they say, for example, that they can ‘wear my hat low like you,’ they’re not imitating men–they’re (re)claiming ‘masculinity’ for their own purposes. When a (cisgendered) man dresses in drag, we don’t assume he wants to be just like a woman; we assume–and rightly so, in my view–that he is claiming a gender identity that crosses, transgresses, or transcends a gender binary.
That’s what the Jessie J video does, and nearly perfectly. And thank christ for it–we finally have a good reason to replace Katy Perry’s ridiculous, insipid, and problematically straight-friendly “I kissed a girl.”
my ‘I come from’ poem
I’m helping to teach a course this semester for pre-service secondary writing teachers. On the first day of class, we all wrote “I come from” poems. This is an activity that comes from Linda Christensen’s fantastic book Teaching for Joy and Justice. Here’s the poem I wrote.
Where I Come From
I come from the thumb of the mitten
knuckled under by desperation, the ‘out of a job yet?
keep buying foreign’ sticker slapped to the slanted back of a ford.
I come from the shame of sweet lilac, of watching the scoop
of a girl’s calf, the scoop of a shirt, the scoop and lift of faces turning away.
I come from normal, from keep it down, from the deep yellow shame of pack it away.
I packed it away. I got a job. I bought American until I wanted something
in my life to last and that’s when things got really fun.
I come from learning to unpack boxes and theories and complications,
from learning to feel a woman’s glance and return it. I come from a place
that binds and packs and calls it freedom, calls it normal, calls it turn it up.
if you care about equity in education, you should watch Summer Heights High
I was introduced to the Australian mockumentary “Summer Heights High” by my friend Steven Caldwell (who is also, by the way, the person who gave me the phrase ‘be the chainsaw you wish to see in the world‘). This show was apparently a raging hit when it aired in Australia, and Steven thought I would find its take on public education hilarious.
I didn’t find the show hilarious. I found it tragic and deeply moving and even a little bit beautiful. Most of all, I fell in love with Jonah, a Pacific Islander who disrupts class, fights with classmates, and struggles to read. If you care about equity in education, you should watch this show. If you care about social justice in education and you watch the series from beginning to end–there are only eight episodes–you will fall in love with Jonah too. It’s also highly likely that you will cry out of sadness and rage before the end.
The entire show is available via Netflix and in various places online. Here are a few clips to convince you.







